Film Noir Comparison Paper

In the formative historic essay “Ramble City: Postmodernism and Blade Runner”
written in 1987, Guiliana Bruno identifies Blade Runner as a postmodern film.
Using Bruno’s argument, evaluate the salient attributes of this film that would identify it
as postmodern. How do these postmodern attributes relate to noir themes and aesthetics
as they were articulated both historically and within a neo-noir framework?
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