immediacy of real life

“True, there were gradual indications that the critics were beginning to understand what the impressionists were aiming for –

glimpses of the modern world in action, contemporary scenes viewed with the immediacy of real life” (Roe)

Discuss this quotaion and comment on that. To what extent were the lives, times and art of the various Impressionist artists

entwined? In your response, provide your ctritical evaluation of the question, including a discussion and comment of the

above quotation and references to the book <The Private Lives Of the Impressionists> Sue Roe. (In that book the main artists

are Edouard Manet, Claude Monet, Camille Pissaro, Paul Cezanne). How effective are Susan Vreeland’s <life studies *stories* >

and Huston, J.’s film <Moulin Rouge> in conveying aspects of the Impressionists or post-Impressionists’ lives, their times

and their art?

Dear writer, you have to balance those questions and connect to each other, you can pick up the angle but cannot talk anyhing

else, just answer the questions. The above questions are to be addressed in one essay, in sequemce amd appropriate way. Must

contain NOTES (FOOTNOTES) ADN Bibliography. You can use ONLY those three references which are <The Private Lives Of the

Impressionists> Sue Roe. Susan Vreeland’s <life studies *stories* > and Huston, J.’s film <Moulin Rouge>. DO not forget the

intext references as well. CONCLUSION for that essay, you have to combine these three together and discuss.

You can see that movie on the youtube, this subject is about impressionists and their lives, the reflection of their

paintings their arts. This movie as well, the beginning is covered with poster as the background of film, the content always

about artists and paintings, * life through art* Also, this area subject is French artists and paintings

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