Film Noir Comparison Paper

Writing about numerous films produced by African-American directors in the late
1980s and early 1990s, Manthia Diawara writes that they “participate in the discourse of
film noir” but also “force the audience to reexamine the genre and its uses by Black
filmmakers. They orient the noir style toward a description of a Black public sphere…and
the specificity of Black culture.” Do you agree with this assessment? Can we apply this
theory to the film A Rage in Harlem (1991)?

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